Sarah Canary

Sarah Canary

Book - 2004
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Chin Ah Kin is the reluctant hero of this search across Washington Territory for Sarah Canary. The year is 1873, one that holds promise for the emancipation of women, yet things couldn't be worse for Sarah. Chin first encounters her when she suddenly appears on the periphery of his camp. Because Sarah only speaks nonsense, Chin decides she is crazy and sets off with her to an asylum in Stellacoom. But because of her inability to communicate, Sarah soon becomes separated from Chin. Without her to justify his presence in the wilderness, Chin becomes the scapegoat for all the evil deeds around him.
Publisher: New York : Plume/Penguin, 2004, c1991
ISBN: 9780452286474
Characteristics: 290 p. ; 21 cm
Call Number: FOWLER, K


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Jun 03, 2014

Very unusual book. Engaging. Historical, multi-cultural. Follows the interactions of a Chinese immigrant, a feminist, a mental patient, and others pursuing a woman who may be mentally ill or a murderer.

Aug 07, 2013

I liked this book a lot, but no one else in the group I read it with liked it at all. Maybe partly because I've lived my whole life in Seattle, and for the past 35 years I've backpacked a couple of trips every year in the same environment as the book. I also liked the vagueness of it all, the weirdness of the characters, and the Chinese American everyman.

Aug 07, 2013

Karen Joy Fowler's first novel was Sarah Canary, and this well recognized work was added to the list of Science Fiction Masterworks just last year. I left one spot open on my list of authors for the Women of Genre Fiction reading challenge, and upon discovering the setting of this book, it was added to the final slot. First off, there are editions of this book with a foreword or an epilog, and reviews a plenty warning not to read either. The Plume trade paperback edition seems to lack both, at least by that name, and besides has a nice easy typeface. Mechanically the book has Roman numeral sections with bits of relevant history. Each sets the tone for the few numbered chapters that follow - an introduction to the action, as it were. Most are set in my own state, what was Washington Territory at the time. The facts in these sections are rarely brought back into play later in the book, giving this novel an episodic feel. The points of view are of the various characters or an omniscient narrator; never of Sarah Canary herself. Each of these characters has a different view of the world, and a little of that comes across in their internal representation of what is happening. The one thing they have in common is their alienation from the mainstream. Chin and Sarah Canary are introduced at the beginning of the story; the two other characters join up with them one at a time. Other reviews have compared this novel to the Wizard of Oz, but I find the similarities go no further than these staggered meetings. The characters have no common goal, in fact BJ (who escaped from an asylum) has no real goal and the suffragette Miss Dixon's goal changes half way through. Finally, Sarah never speaks, and her goal is completely unexpressed. Karen Joy Fowler has said that her "intention was that the book would read like a science fiction novel to a science fiction reader, and that it would read like a mainstream novel to a mainstream reader." As a member of the former camp, I felt the novel had a very mainstream, historical feel. There were a few bits that indicate either science fiction or fantasy, or even a dreamlike shared insanity. As Ms. Fowler put it herself, "Who Sarah Canary is, is not the point of the book." I really enjoyed the different voices and perspectives, but the episodic layout gave the book a rambling feel. It wasn't a slow read, but I had to drag myself back to it at times. I rate it 3½ stars. (Aug 1-7)

Apr 12, 2012

Wonderful book. Great story, beautifully written with blurbs from actual news stories of the times loosely relating to the story.


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